Monday, 12 March 2018

February Meeting Notes



Meeting Notes for February


Our new meeting venue at the Newcastle University cafe in the Haymarket ; which is on theformer site of the Haymarket pub which we will mention later. We got off to a good start with the highest number of members attending since we began. There was plenty of room for us and refreshments were quite reasonable both in price and quality. I was reminded of the time I first went to university and was told to meet my lecturer in the Reflectory. I though what’s a reflectory, a sort of conservatory with mirrors? I had miss heard, it was the Refectory;  a posh academic word for canteen. If you think that was a bad introduction wait until you read more of my anecdotes about Cinemas in Newcastle which brings us on to the main topic for February which was a project done by our members on:


The Haymarket and other Cinemas


We had a bit of duplication of efforts with the Haymarket Cinema but as the information came from different sources it was good to have these as verification. I have summarized our members efforts here and many thanks to Val, Moira, Shelagh, Andrew and Irene for their input.

Newcastle Haymarket Cinema in Percy Street was opened on 21 December 1933 by Dixon Scott, later of Newcastle / Tyneside Cinema fame. The film shown at the opening was “Just Smith” with Tom Walls. The architecture style was Egyptian and a dramatic combination of oriental and art deco said to be inspired by a Cairo Cinema and Dixon Scott’s extensive travels in the middle  east and far east. Dixon Scott had been in the business for 25 years and used the profits from cinemas he already owned in a number of small northern towns including Jarrow, Prudhoe and North Shields., together with money raised from investors, to provide the £50,000 capital required to build his new cinema. Dixon Scott also commissioned the news theatre on Pilgrim Street which is now the Tynside Cinema. He died in 1939 and was buried in Egypt.

Haymarket (Newcastle libraries (Flickr)


There are various numbers for its seating capacity between 1280-2000 people, this corresponds to its acquisition and enlargement by  ABC during 1935-36 period. Previous to its acquisition by ABC, the cinema was described as a cinema with emphasis on leg room and luxury offering a continuous programme which included two feature films that had previously opened in other cities first. Scott’s  policy was to play the best of what had been relinquished by the cities main cinemas. After 1936 the cinemas ran first run films by MGM, Warner Brothers and Associated British Pictures in competion to the Paramount and Queens cinemas.  The accent on luxury went as far as having a upstairs Hunters the  Bakers restaurant used for functions and press shows later to be taken over by Carricks the Bakers who ran a cafe there. In 1942 the cinema was seriously damaged by fire and due to wartime shortages of materials remained closed for seven months before opening with luxurious upholstery fashioned out of newly discovered Dunlopillo and velvet.

Haymarket (Newcastle Libraries (Flickr)


The ABC Haymarket business prospered and was one of the biggest cinema money-makers in the UK. However this was not to last and it became disadvantaged by being compulsory purchased by Newcastle University (Kings College Durham University until 1963) in the early 1950’s by means of a National Act of Parliament for Universities to purchase land. ABC was to continue to use the Cinema on a 5 year lease from the University, because the lease back periods were short term ABC was reluctant to invest large capital sums into the building this would have included widening the relatively narrow presidium  during the wide screen era of thee 1950’s and 1960’s or by conversion to multiscreen during the 1970’s and 1980’s. In 1974 when the University offered a 6 month leasehold, ABC, by now a part of EMI, acquired the Essoldo which was in financial difficulty instead. This prompted the University to have a change of heart and offer a new 5 year lease which ABC accepted and proceeded to carry out a full refurbishment.

Haymarket (Newcastle Libraries (Flickr)


After ABC declined the offer of a 3 year lease the Haymarket closed 20th September 1984 the final film was Prince in “Purple Rain”.  Along with its neighbour the Haymarket public house it was demolished in 1985-87. The demolishing of the Haymarket public house was met with some impassioned opposition and its regulars turned out in Victorian Funeral dress on its last day of business. The pub had opened in 1833 and items from the pub were salvaged with the intention of refitting them into the Cumberland Arms Byker.


The struggle for Sunday opening


Val found some information about the struggle for Sunday Opening:

All picture halls were licensed under the Cinematography Act of 1909 with local authorities responsible for the regulation of cinemas within their jurisdiction. In Newcastle the local authority was steadfastly opposed to Sunday opening although many neighbouring authorities were more liberal. The chief opponents of Sunday opening were the churches, the trade unions and owners of smaller cinemas who feared the threat of the hooliganism and damage done by Sunday night audiences elsewhere. The main pressure for Sunday opening came from the large circuit cinemas.
The Sunday Entertainments Act 1932 permitted the opening of cinemas on Sunday often on  a vote of the townspeople and after debating the issue 4 times in 4 years the committee agreed to a public vote. A poll of electors was held on 30 October 1952. A 20% turnout resulted in a 2 to 1 victory for Sunday opening and licenses were issued in April 1953.

30,000 queued up to attend the 24 cinemas in Newcastle which opened from the first Sunday shows but only the Haymarket had thought to start its week on Sunday rather than Monday else where cheaper, older films proved a disappointment. Other cinemas quickly followed the example of the Haymarket but it was all something of a hollow victory because Sunday opening coincided with a decline in cinema audiences. UK cinema attendances peaked at 1.64 billion in 1946 and dropped to 54 million in 1984.


The Palace Theatre


Irene found some interesting information on the Palace Theatre:

The Place Theatre of Varieties, started out its life in 1889 and was known as the Peoples Palace, built on Percy Street and St Thomas Street, where the Oxfam shop is now. By 1895 a new theatre was designed by Newcastle architect J. W. Taylor, this was a reconstruction on the original Peoples Palace, built on the same site, when opened on 23 December 1895 this was known as the Palace Theatre.

Palace Theatre (Newcastle Libraies)


This new theatre could seat upwards of 2,000 people. The auditorium was built on three levels; the pits, stalls, two circles and four boxes. The stalls were fitted with tip up seats, richly upholstered in dark crimson plush with gold embellishments, the whole theatre is lit with electric lighting.
The stage covered a large area and is adequate to almost any production, the dressing rooms are amply provided for the comfort of the artists. By 1903 the theatre was deemed to be in need of alteration and redecoration. In the main entrance from the Haymarket side, the new stairs are of marble, there were heavy mahogany panels, and plush thick carpets, paintings in the ceiling panels, were muses. The interior of the theatre had been entirely redecorated and refurbished. In 1908 the theatre was visited by King Edward the VII and Queen Alexandra, who came to Newcastle to open the R.V.I. and the new wing of the Armstrong college on 11 July 1906. The theatre closed in 1958 when the touring shows dried up and TV was growing in popularity. The theatre was demolished in 1961. A row of unremarkable shops stand on the theatre site today

The building news and engineering journal provided information on the construction of the 1895 theatre


A Few Recollections


Sadly my contribution is a bit more anecdotal:

When I was a young lad in the 1950’s I lived in the West End of Newcastle.  In those times there were lots of local cinemas and I was lucky to live 20 minutes from the Regal on Two Ball Lonen. One of the first films I saw was when my elder sisters took me to see Hop along Cassity which we thought was a cowboy film showing but it turned out to be a cute cartoon about a grass hopper called Hoppity Goes to Town aslo known as Mr bug goes to town.. It was the first film I saw in colour.





There was another cinema about two miles away at Benwell called the Rex. It was here that my friends from the street would go every Saturday morning to see the matinee which was a Laurel and Hardy comedy and an adventure of Flash Gordon who each week seemed to fall off a cliff or was trampled by some horses driven by the Merciless Ming only to return unscathed, the following week.  I remember we had a long walk back home each week because we spent the bus fare money on sweets.

The first film I saw at the Haymarket was Pirates of Blood River with Burt Lancaster by that time there was only a single feature film because films had become longer. Before that there was usually two films an A film which was the feature film and a B film which was much shorter, or Pathe News was shown to fill out the session.

The first film I saw in glorious CinemaScope at the Haymarket was How the West Was Won. CinemaScope was a process where a special lens called an anthropomorphic lens would create a wide view of the scene filmed. This would have been twice the width of conventional screens and almost the same format as we view today but via a different process. The cinemas screens would have to be enlarged for these viewings. Many of the smaller theatres would be stuck with the conventional format screen.

As the screen size got wider and bigger so did the film productions. I remember How the West Was Won was so long at the time that you had to have an intermission for the projectionist to change reels and for those who wanted to spend a penny. Another intermission film I saw at the Haymarket was Laurence of Arabia, now we sit for up to 3 hours with crossed legs.

The last film I saw at the Haymarket before it was purchased by the University of Newcastle and torn down was Superman the Movie with the late Christopher Reaves. Advertised as you will believe a man could fly. I remember coming out at 10pm and looking up at the sky wishing I could fly. The reality of flying brought me to a literal sicking thud to the ground when in the early eighties I was asked to take some photographs from a helicopter over Northumberland. I was so ill in the back of the helicopter that I filled three sick bags. I could not face the prospect of taking them back to Newcastle Airport, so I stuffed them out of a small ventilation slot in the back-passenger window to my dismay and the residents of Morpeth Town three bags of exploding vomit would be coming their way.



 Hi again friends,

Our latest offering is a humble tribute to master engraver and artist, Thomas Bewick.

Thanks to John Mitchell for his sympathetic video - great work John.

You will notice that 'Our Ben' (Benedict Alpin) features again on mandolin. We think it is about time he joined us more formally. Ben has kindly accepted our offer and is therefore now part of the Sawdust Jacks songwriting project. Thanks Ben.

This song also features John Mitchell on lead guitar and John Leslie Jnr. on acoustic guitar.

We hope you like it.

As usual, the link is below

Best wishes.

John Leslie

 Our next meeting will be held at Newcastle University cafe in the Haymarket (Into Newcastle University) opposite the Haymarket Bus Station, Wednesday 14 March 10:30.


Sunday, 4 February 2018

Meeting Notes January 2018

Meeting Notes January 2018

We had a great turn out of members for our meeting at the Hancock on Wednesday January 17. Lots of discussion going on about a change of venue to the University Cafe - Open Access Venue opposite the Haymarket Metro Station and the South African War Memorial. It has a level access so no more climbing stairs and the staff are quite happy to accommodate us as an academic group. Entrance is on the left.

Taken from Google Maps


As part of our Little Known Facts exercise some of our group went to the Laing Art Gallery talk. The talk was on John Wilson Carmichael and his painting The Mayor's Barge on the Tyne. The group commented that the barge in the picture was very small and in the distance. We talked about Carmichael' painting the Proposed New Street for Newcastle you can find out more at the following link:

http://blog.twmuseums.org.uk/richard-graingers-vision-for-grey-street-newcastle/

The Chillingham Cattle

Edwin Landseer The Wild Cattle of Chillingham 1867

 

Moira did some research on the Chillingham Cattle as part of our Little Know Facts exercise:

Chillingham cattle have been around Chillingham Park for approximately 700 years and are said to be the oldest known breed of cattle in the world. They are considered to be rarer than the Giant Panda and could be the bovine equivalent of early man. They are also linked to the Mesoptomian Ox from Neolithic times (1200).
The cattle are treated as wild animals and are not handled, even by a vet. The cows breed all year and when the calfs are born, the weak ones will be left to die by their mothers. In winter hay is distributed around the park.
In 1946-47 an extremely hard winter nearly wiped out the herd, only 13 survived. In 1967 Foot and Mouth was raging across the country, with the possible decimation of the herd, in time like these it was deciede that in 1972 when the herd numbers reached 40 a reserve in Scotland would be set up with a yearling bull and two young heifers. This herd now numbers 25 and in case of a disaster Chillingham park can be restocked. There is also a project in hand to secure a stock of frozen embryos, in case there is another out break of Foot and Mouth and the cattle herd is destroyed. If this happens centuries of history would be lost. The cattle are as important as Stonehenge or Stately Homes as they provide a link to the past. A really not well known fact is that the cattle do not make a moo sound but do a hoot.

Dail Cottage and George Stephenson




By The original uploader was Killingworth Township 1966 at English Wikipedia - Transferred from en.wikipedia to Commons., CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=2197586

Maureen found some interesting facts about George Stephenson and Dial Cottage at West Moor, Killingworth:

Aged 23 George took a job at West Moor Pit Killingworth working as a breaksman (applying brakes to loaded colliery wagons to prevent them running downhill). The journey to the Staithes at Wallsend would have been a long incline dropping down from 200 feet to sea level. His work at West Moor Pit would have provided George with a cottage on what was known as Paradise Row part of Great Lime Road. The cottage was more of a room with a garret reached by step ladders. The cottage was a few hundred yards from the pit head, engine works and track. (part of the original track is marked with a plaque.)

Short Time Line:

  • 1781 Born Wylam (was illiterate until 18.)
  • 1801 Brakesman Black Callerton Colliery.
  • 1802 Marries Mary Frances-Willington Quay.
  • 1803 Son Robert Born.
  • 1804 Moves to cottage West Moor.
  • 1805 Daughter fanny born ( dies 3 weeks later.)
  • 1806 Wife dies and George walks to find jobs in the Borders.
  • 1807 Returns to marry house keeper and sister of his former wife.
  • 1814 Made his first 'railway locomotive' Blucher. 
  • 1819  George was asked to build a small railway at Hetton Colliery.  8 miles of track.
  • 1823 Moves to Eldon Place as a Consultant Engineer.
  • 1825 Stockton and Darlington. Railway and the Locomotion Engine.
  • 1829 Rainhills Trials won by the Rocket.
  • 1830 Manchester- Liverpool opened.
  • 1848 Died and was buried in Chesterfield.

The not so well known fact is:

His son Robert brought home a copy of Fergueson's Astronomy(from the Lt and Phil) and under his farthers direction drew up on paper a dial suited to the latitude and longitude of Killingworth They obtained a suitable stone and chiselled in the design which you can see over the door of Dial Cottage.







Ethel Williams 1863-1946


Val looked at the life of Ethel Williams Newcastle's first female doctor, radical suffragist and pacifist.

Ethel was born in cromer in 1863. from 1882-85 she attended Norwich High School for Girls and Newnham College, Cambridge. In 1891 Ethel attended the London School of Medicine for Women and graduated awarded a BA, but facing prejudice went on to gain her hospital experience abroad in Paris and Vienna, because at that time women were not permitted to train in British hospitals. She qualified in 1895 and began  work as a resident medical officer at Clapham Maternity Hospital and then moved to Newcastle in 1896 to work in the Dispensary at Blackfriers. She setup a practice in Ellison Place with Dr Ethel Bentham and was one of the first women to do this despite being refused by male colleagues. The practice grew and she moved to premises in Osborne Terrace.  During World War 1 she campaigned for the WEA. She joined pacifist groups, such as the Union of Democratic Control and the Women's International League for Peace and Freedom. Her suffragist banner from circa 1905 is one of the treasures of Newcastle University Library's Special Collections.
In 1909 she was appointed a member of the senate of Durham University. She founded the Monkton Home for Mental Defectives and  in 1917 she co-founded the Northern Women’s Hospital, which is now the Nuffield Health Clinic on Osborne Road. Ethel Williams was Secretary of the Newcastle Women’s Liberal Association, a member of the Literary and Philosophical Society, and served as a Justice of the Peace as well as being a member of Newcastle Education Committee. Dr Ethel Williams died in 1948. In 1950, Newcastle University opened new student accommodation named Ethel Williams Halls of Residence in her memory. This building was demolished in the late 1990s and the residential street now occupying the site is called Williams Park.

The Little Known Fact about Ethel is that she was one of the first women drivers in the North East.




Our next meeting will be at the new venue INTO Newcastle Building, Barras Bridge Wednesday February 14, 10:30 am


Tuesday, 9 January 2018

Meeting Notes December




Welcome to the December Notes for our group. I am happy to inform you that we had a splendid turn out for our Christmas meal at San Lorenzo Gosforth High Street. Even though there was still ice and snow around, fifteen of our members turned up to an enjoyable and entertaining afternoon which lasted for two and a half hours. We had apologies from Joan, Margret and Michael. Michael was kind enough to leave some money for drinks which went down very well. Val supplied some entertainment in the form a quiz on local events that were to take place in Newcastle. If we did not get them all we were informed of what is come now and in the New Year. We all caught up with members who had not seen each other for a while and we had a good discussion on the work we had been doing both as individuals and also in the Adult Learning classes that we attend.





Why not start your History Discovery New Year with a little project. Try and find a little known fact about a Person Place or Event in the North East. Either bring them along to our meeting or e-mail me with your results, here is some thing I found out about:

(Bruce, J. Collingwood (John Collingwood), 1805-1892)

 John Collingwood Bruce a nonconformist minister and school master wrote many books on  Hadrian’s Wall, which  researchers still use today he also wrote a book on the Bayeux Tapestry and a catalogue of antiquities at Alnwick Castle. He joined his farther, teaching at their academy in Percy Street. A plaque can be seen above the Walter Robinson Estate Agent on Percy Street not a stone throw from our meeting place at The Hancock, pop down after our meeting and have a look.
He was elected a Fellow of the Society of Antiquities in 1852, and as you can see had many honours attributed to him for his work. He is buried in Jesmond Old Cemetary. Another true Local Hero.

 

 


Here is a little known fact taken from The Life and Letters of John Collingwood Bruce.

“My mother's father was Mr John Jack of 12 Golden Square, London. He was a Scotsman, and I believe came from the neighbourhood of Inverness. I have understood that when he was coming up to London by sea he was seized by the pressgang for service in the Navy; that he made his escape, and getting to land had to hide himself and lie about in the fields at night. By this means he became subject to rheumatism, from which he suffered all his life. He carried on the business of a tailor, and eventually at his death had a good and genteel business.”

Bruce, Gainsford. The Life And Letters of John Collingwood Bruce of Newcastle-upon-Tyne.. , 1905. 

Online Books of John Collingwood Bruce 

 

 Another not widely know fact about a British Hero on the reverse of our current Five pound note (Winston Churchill) is if you closely look at the clock on Big Ben you can see it it set to 3 pm the exact time on Monday 13 May 1944 that Churchill made his iconic first speech to the House of Commons announcing that:

"nothing to offer but blood, toil, tears and sweat"
The policy to wage war:
"by land, sea and air with the single aim of victory: victory  at all costs, victory in spite of all terror, victory, however hard and long the road may be."
Unfortunately the photography and reproduction of Bank notes is not allowed so if you do not have a fiver at hand you can see an example at the following link: 






Great North Museum Hancock 

Discovery Museum

The Hatton Gallery

Pioneers of Pop

The Hatton Gallery at Newcastle University re-opens on 7 October 2017 following a 20-month, £3.8million redevelopment funded by the Heritage Lottery Fund, with a ground-breaking exhibition that will firmly – and correctly - position Newcastle as the birthplace of Pop Art.
The Hatton has played a unique role in the development of British Art, with its history intimately entwined with some of the most influential artists of the 20th century. The exhibition Pioneers of Pop revolves around the numerous artists and writers, activities, projects and ideas which had at their centre artist Richard Hamilton, during his time teaching at Newcastle University (1953-1966).
Pioneers of Pop includes around 100 works by some of the leading British artists associated with both Pop and abstract art - Eduardo Paolozzi, David Hockney, Richard Smith, Ian Stephenson, R.B Kitaj, Joe Tilson and, of course, Hamilton himself.
The exhibition will include works created in a wide range of media, including paintings, prints, collages, magazines and photographs – from lenders across the UK, such as Tate, V&A, Scottish National Gallery of Modern Art, Abbot Hall, Pallant House, and Arts Council England.






Our Next meeting will be on Wednesday January 17 at the upstairs cafe of the Hancock Museum at 10.30 am.

A people without the knowledge of their past history, origin and culture is like a tree without roots. Marcus Garvey
Read more at: https://www.brainyquote.com/quotes/marcus_garvey_365148?src=t_history


Thursday, 26 October 2017

Meeting Notes September/October

Meeting Notes September/October

Apologies for the late arrival but I have been moving house and have not had Internet for some time. Either the notice did not go out or everyone was busy in September but The Hancock Museum Cafe was sadly empty of members this month. However I will attempt to inform you of what has been happening.


Notorious Kings and Queens of England

Michael's class at the City Library started Thursday 21 September and had a good return of our members. We have looked at King John, Alfred the Great, William the Conqueror, The War of The Roses (War of the Cousins) and had some good discussions on truth and fiction. One week because of problems with City Learning and the City Library not booking us into our normal room, we had to improvise and do some individual research in the main library with the help of Michael. We chose from a selection of books guided by Michael and read and wrote up notes which were presented to the class the following week. I have include some work I have done and look forward to any work you might submit.


Issues with City Learning and City Library

As mentioned above we have had more issues with the room we use in the library. The first week we were relocated to an I T room full of computers where we could not see Michael clearly. We were also not informed of the move. Michael had no idea either, clearly both ourselves and tutor were kept in the dark and not for the first time. Iris has had a word with the library management and is currently draughting a letter with our concerns on this occasion and on previous occasions. Recently matters have become worse, for the first two weeks of the second part of the course commencing on November 2 we can only get a room in the Gosforth Centre causing great unrest and inconvenience to many of us who have to travel further; yet when enrolling were informed that the venue would be the City Library. It has been my experience that Michael and tutors who work in out-reach centres, are often alone, unsupported  and uninformed by their management team, using their own time and resources to back up a failing system of incompetence. 



 

The Year that Changed Henry the VIII 1536 by Susannah Lipscomb.




Susannah Lipscomb is A Research Curator at Hampton Court Place. She was previously Royal Historical Society Marshall Research Fellow at the Institute of Historical Research and read her doctorate in early modern history at Balliol College, Oxford. She is currently hosting a historical series called Hidden Killers  on BBC Channel Four and on iPlayer.



I chose this book because of my interest in the Tudors and the charismatic Henry  the eighth. His  many depictions in books and films which are often at odds with each other, seem to reflect a public option between love and hate and romance and tyranny. It is no wonder that the media should take interest in Henry in  what Tom Chatfield, Arts and Books editor, Prospect describes as someone who succumbed to the strange, familiar passions of age, arrogance and insecurity.



Susannah Lipscomb takes a unique view that the year 1536 was pivotal in the reign of Henry the VIII. She tries to show the how and why Henry changed from a handsome Prince Charming into a fat and loathsome Bluebeard. She cites Derek Wilson  who describes 1536 as being Henry's annus horriblis and R.W.Hoyle as the 'year of three queens'. Henry is 45 and reaching what in Tudor times  can be described as old age from this date his bloodletting of those close to the crown became more and more frequent.



His annus horriblis began on January 7 with the death of  his estranged and denied wife, Katherine of Aragon. They had been married for 24 years but were estranged since 1526 when Henry took Anne Boleyn as a mistress. A few weeks before Kathrine's death he fell from a horse while jousting and was unconscious for 2 hours. The fall may well have cause neurological problems leading to psychological changes but it exacerbated problems with a previous tumour in his leg which effectively prevented him from jousting and limited his mobility for the rest of his life. As a result he became obese, a great come down for a man of athleticism and good

looks.



On January 29 Kathrine was buried and at the same time Ann Boleyn suffered a miscarriage with a male foetus. This contributed to Henry's state of mind. The king was known to have shown 'great distress and 'great disappointment and sorrow,  and his second marriage to Anne Boleyn was, made worse by the allegation of Anne's adultery with Mark Smeaton an organist and player of the spinet in the queen's household. As a result of an investigation  conducted by Cromwell , Smeaton confessed to adultery. Henry then took charge of the investigation where members of his privy council were arrested. The perceived betrayal, suspicion and loss of face and honour would push Henry along his bloodletting path beginning with the execution of Rochford, Norris, Brereton, Weston and Smeaton.  On the same day as the executions, Anne's marriage to Henry was annulled. On May 19th of this year Anne was  executed after reigning as queen for 3 years. Henry married Jane Seymoor on May 30 after a dispensation by Archbishop Cramer. After Anne's death parliament passed the Second Succession Act declaring his marriage to Anne invalid and her daughter Elizabeth illegitimate and removed from the succession. This would make Henry  in a worse position than he had ever been and more desperate to gain a male heir.



Things were made worse by the marriage of his niece Margret Douglas in June where she secretly married the Duke of Norfolk's younger brother; Lord Thomas Howard creating an opportunity for him to become future king, both were sentenced to execution but Thomas died in prison and Margaret was excused death.



On July 23 Henry's illegitimate son Henry Fizroy died of tuberculosis at the age of seventeen. Henry was devastated by this as it was possible by the Second Act Of Succession which allowed the king to designate his successor whether legitimate or not, to proclaim Henry Fizroy his heir.  There is no evidence that Henry intended this but in theory the Act would have permitted him to do so if he wished. In the same month Thomas Cromwell was given powers  over all ecclesial affairs, to stop extremist preachers, cut the number of holy days and begin the process of making Henry preside over the dissolution on the monasteries. This would eventually lead to a large uprising in October in Lincolnshire followed by armed rebellion in Yorkshire known as the Pilgrimage of Grace. The largest rebellion ever raised against an English monarch at the time. It was the single crisis of his reign.



In summary this was indeed a horrible year for Henry, a year of threats both internal and external of things going horribly wrong, of betrayal, rebellion, grief, age and ill health. To quote Susan Lipscombe


'Henry changed from a virile man in his prime to a man who suddenly perceived he was growing old and tried to fight this in a way that made him a caricature of virility'






Our next meeting will be on Wednesday November 8 at the upstairs cafe in the Handcock Musuem 10:30